Iago uses the hypothetical argument of 'what does it matter that Cassio slept with her' and other such things to further convince Othello of their treachery, putting images of Cassio porking Desdemona in Othello's head.
Iago engages in a conversation with Cassio about Bianca. He knows Cassio will laugh at Bianca's name, and instead whispers Bianca's name and speaks Desdemona's loudly, having told Othello that he would speak to Cassio about Desdemona. He gets Cassio laughing about his conquest of Bianca, and therefore convinces Othello that he is laughing about Desdemona. |
When Bianca argues with Cassio about having another mistress and throws the handkerchief at him, Iago uses it as evidence that Cassio is sleeping with Desdemona.
Othello will be undoubtedly implicated in her murder if he strangles Desdemona, and will be entirely guilty with no room for confusion. Poisoning Desdemona would provide little evidence and give reasonable doubt as to guilt.
The Serpent's curse is the curse of the devil and all of hell. It is a curse to send the victim through suffering, and damn them to the very pits, or lower levels, of hell.
Emelia, without knowing, is placing a curse on her own husband unknowingly.
Roderigo sneaks up on Iago, taking him by surprise and making him scramble for an answer to his angry questions, and Emelia answering Othello's questions honestly, giving no indication as to the affair that Iago has indicated.
When Desdemona speaks of the song the maid used to sing before she died, about a man who went mad and forsook her, this appears to me to be the most poignant of the foreshadowing in Act four, scene three.
Women will be faithful as long as their men are faithful, and and if men fall, so do women. Each sex is like the other, and if one seeks outside attention, the other will for revenge, even if they are otherwise good. A wife is meant to be entirely belonging to her man in society, and therefore, until her man goes wrong, she cannot.
Othello will be undoubtedly implicated in her murder if he strangles Desdemona, and will be entirely guilty with no room for confusion. Poisoning Desdemona would provide little evidence and give reasonable doubt as to guilt.
The Serpent's curse is the curse of the devil and all of hell. It is a curse to send the victim through suffering, and damn them to the very pits, or lower levels, of hell.
Emelia, without knowing, is placing a curse on her own husband unknowingly.
Roderigo sneaks up on Iago, taking him by surprise and making him scramble for an answer to his angry questions, and Emelia answering Othello's questions honestly, giving no indication as to the affair that Iago has indicated.
When Desdemona speaks of the song the maid used to sing before she died, about a man who went mad and forsook her, this appears to me to be the most poignant of the foreshadowing in Act four, scene three.
Women will be faithful as long as their men are faithful, and and if men fall, so do women. Each sex is like the other, and if one seeks outside attention, the other will for revenge, even if they are otherwise good. A wife is meant to be entirely belonging to her man in society, and therefore, until her man goes wrong, she cannot.